An Opening in the Vertical World offers us poems of a sustained interiority.
Here, a highly intelligent, often lonely observer is attuned to the uncertainties of travel,
sex, and history. For years, I have loved and admired Roger Greenwalds poems,
and this collection is remarkable for its wit, nuanced self-knowledge, and great technical dexterity.
Kevin Prufer
Roger Greenwald writes poems from a luminous distance, at once an alien in his world
and a subtle correspondent, full of news of feelings, images, ideas. His poetry only gets
better and better: the language icy and crisp, palpable. I’ve read this latest collection
with excitement and gratitude. Jay Parini
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Roger Greenwald grew up in New York City. He attended City College and the
Poetry Project workshop at St. Marks Church In-the-Bowery. then completed graduate degrees
at the University of Toronto, where he founded and edited the international literary annual
WRIT Magazine at Innis College. His poetry has appeared in such journals as
The World, Pequod, Pleiades, Poetry East, Prism International, The Spirit That Moves Us,
The Texas Observer, Great River Review, Leviathan Quarterly, Exile Magazine, CNQ, Copper Nickel,
The Manhattan Review, The Massachusetts Review, and Stand Magazine.
He has won two CBC Literary Awards (for poetry and travel
literature), the 2018 Gwendolyn MacEwen Poetry Prize from Exile Magazine,
and the 2024 Littoral Press Poetry Prize.
He has published three previous books of poems: Connecting Flight, Slow Mountain Train,
and The Half-Life.
Boston: Black Widow Press, 2024
ISBN 979-8-9911391-0-6
Paperback, US $19.95
Distributed by NBN (National Book Network)
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