Contents |
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| Aubade | 15 | |
| I | Prélude | |
| Auditorium | 21 | |
| Annbjørg Lien | 22 | |
| Bridal March | 23 | |
| Ethos and Mythos | 24 | |
| Happiness | 25 | |
| II | Allemande | |
| Halfway There | 31 | |
| Remembrance | 32 | |
| Numbers | 33 | |
| Phoenix | 34 | |
| Collisions | 35 | |
| Safety | 36 | |
| Night | 37 | |
| Nausea | 38 | |
| The Word Wife | 39 | |
| Mettle | 40 | |
| III | Courante | |
| Sightseeing | 45 | |
| If I Told You | 46 | |
| Eclipse | 47 | |
| Flora and Fauna | 48 | |
| Sunny Sweden | 49 | |
| Old with Wandering | 50 | |
| IV | Sarabande | |
| The Deep Heart’s Core | 55 | |
| Cancer | 56 | |
| Silence and Semaphore | 57 | |
| Farewells | 58 | |
| Red and White | 59 | |
| Widows and Orphans | 60 | |
| New Year’s Eve | 61 | |
| Legacy | 62 | |
| Sunday Nights | 63 | |
| V | Gavotte | |
| Uncertainty Principle | 69 | |
| Bitter Mint | 70 | |
| Je m’appelle | 71 | |
| Floria | 72 | |
| Après-midi | 73 | |
| The Days Grow Short | 74 | |
| Memories | 75 | |
| Publisher’s Party | 76 | |
| Encore | 77 | |
| VI | Bourrée | |
| Hip | 83 | |
| Left Over | 84 | |
| Titles | 85 | |
| Old Friend | 86 | |
| Find Your Old Classmates | 87 | |
| Tidal Wave | 88 | |
| Paused | 89 | |
| Obits [1] | 90 | |
| Facts | 91 | |
| VII | Pavane | |
| At 65 | 97 | |
| Associations | 98 | |
| Report, Much Later | 99 | |
| Filled Time | 100 | |
| Prometheans | 101 | |
| The Finger | 102 | |
| Obits [2] | 103 | |
| The Ode | 104 | |
| Syl | 105 | |
| 3 A. M. | 106 | |
| Checkmate | 107 | |
| Whose Name | 108 | |
| Clouded Isle | 109 | |
| VIII | Gigue | |
| Sundays Early | 115 | |
| Emergency | 116 | |
| Kisses | 117 | |
| Judgment of the Moon and Stars | 118 | |
| Sara | 119 | |
| Attuned | 120 | |
| Con Sordino | 121 | |
| Casey Sokol’s Improv Soirées | 122 | |
| Time | 123 | |
| Portals | 124 | |
| Song of Songs | 125 | |
| Keener Sounds | 127 | |
| Notes / Acknowledgments | 129 |